Best film of TIFF
Woman in temptation Jiri Vejdelek/ Czech Republic/ 115’
For an empathic reshuffling of character’s fates, convincingly acted and skillfully directed.
Per nje perzierje te jashtzakonshme te fateve te personazheve, luajtur bindshem, krijuar me nje regji mjeshterore. Best Balkanik Film
The War is Over Mitko Panov/Macedonia & Switzerland/35mm/92'/color/2009 For an intimate narrative that reflects a common immigrant experience in the age of globalization. Per një tregim personal që pasqyron një përvojë të përbashkët të emigrantëve në epokën e globalizimit. Best Director
Mohammadreza Vatandoost
When the lemon turns yellow /Iran/ 77’
The Iranian director Mohammadreza Vatandoost leaded us with a quasi perfect meticulousness along his story telling, without leaving a single detail out of control.
Regjizori iranian na udhehoqi me precizitet pothuajse te perkryer ne rrefimin e tij duke mos lene asnje detaj pa kontroll te plote regjizorial.
Best Actor
Enver Petrovci Donkeys of the border/ Jeton Ahmetaj/ 97’
Master of acting, Petrovci managed to give shape to a multidimensional character simultaneously loved and hated by the public. His acting is already transformed into a style. Petrovci me lojen e tij beri personazhin qe luajti shume dimensional, te dashur dhe te urryer nga shikuesi ne te njejten kohe. Tashme mund te themi se menyren e aktrimit te tij e shnderroi ne stil.
Best Actress Sandrine Bonnaire Queen to play/ Caroline Bottaro/ France&Germany/ 97’
Media Award Sky&Sea/ Max Oh/ South Korea/ 105’
The movie focuses and brings to the screenplay a huge public sensitivity; the professionalism, an impressive articstic and cinematographic mean, high level acting, a serious production and postproduction. South-Corean cinema brings a high standard and competitive film in the international competition.
Trajton nje sensibilitet te madh publik nderkombetar dhe sjell ne fokus; profesionalizmin, mjet mbreselenes artistik, kinematografik, loje te nivelit te larte aktorial, prurja eshte nje ze serioz ne realizimin kinematografik dhe te postproduksionit. Kinemaja koreano-jugore sjell me kete film standart te larte dhe konkurues nderkombetare.
Public Award
Late Summer Antonio Di Trapani& Marco De Angelis/ Italy/ 85’
Best Fiction Short Film
Death by suffocation/ Visar Morina/ Germany/ 28’
For the prize of the freedom, which often fights against the dehumanization of the individual and society, for the lack of communication in a new context.
Per cmimin e endrres drejt lirise e cila ndeshet me dehumanizimin e individit dhe shoqerise, si dhe me komunikimin e munguar ne nje kontekst te ri.
Special mentioned Beast/ Lars P. Arendt/ Denmark/ 15’
For the re-appearance of the Patricide act as a reaction against violence in emancipated societies.
Per rishfaqjen e aktit te Patricidit si reagim ndaj dhunes ne shoqerite e emancipuara.
Best Animation Short Film
Venus de Rabo/ Francois Bertin/ France/ 10’
For portraying a modern artist through the evocation of the figure of the rebel pre-historical-artist. A perfect illustration of Schielean (Egon Schiele). Art can never be a modern one, art comes back to the origin. Per portretizimin e artistit modern nepermjet evokimit te figures se artistit rebel prehisotrik. Nje ilustrim perfekt I konceptit Schile-an (Egon Schiele). Arti nuk mund te jete kurre modern , ai kthehet perjetesisht ne origjine.
Best Documentary Short Film
Out of love/ Birgitte Strærmose/ Denmark/ 29’
For dealing with traumatic effects in the “Newborn” country
Per trajtimin e traumave pas lufte ne vendin e quajtur “NEW BORN” Best Experimental Short Film
Family Portret/ Minna Korhonen/ Finland/ 4’
For a broken family structure, where greed prevails.
Per prishjen e struktures se familjes, ku makuteria si faktor dominant.
Special mentioned
Reflected life/ Gentian Kurti/ Albania/ 6’
For the overlapping of the anamorphic perception of the reality against the eukudian one through instruments of the perfect logics.
Per mbivendosjen e perceptimit anamorfik te realitetit ndaj atij eukudian nepermjet instrumenteve te logjikes perfekte.
Best Albanian Movie
Tri dritare/ Faton Bajraktari/ Kosovo/ 29’
For the courage the director had to deal with a sensitive and difficult subject.
Guximi qe ka patur regjizori per te trajtuar nje teme te veshtire dhe shume te ndjeshme.
|
|
|
The Balkans’ Forum of Young Filmmakers, an initiative of Tirana International Film Festival |
|
The Balkans’ Forum of Young Filmmakers, an initiative of Tirana International Film Festival, will be held on Thursday, at 17.00 pm. The event will take place in the premises of the Center of Culture, Media and Publications of the Ministry of Defence. The Forum is supported by the Swiss Cultural Programme in the Western Balkans, thus showing the sensitivity of this organisation for cinema events addressed to the young generation. The Swiss Cultural Programme has constantly supported Tirana international Film Festival throughout its eight editions. The Forum will gather young filmmakers from the Western Balkan countries in a bid to share experiences and their know how in the filmmaking process. Students of public and private film schools of Tirana will attend the event as well. _______________________________________________________________________________ Ne kuadrin e Tirana International Film Festival organizohet ne sallen e konferencave te shtypit te QKMBM ( Qendra e Kultures, Mediave dhe Botimeve te Mbrojtjes) diten e enjte ora 17:30 mbledhja e Forumit te Kineasteve te Rinj Ballkanike. Ky forum mbështetet nga SCP Albania në Tiranë e cila ka ndjekur TIFF-in gjatë gjithë historisë duke u përpjekur me sensibilitetin karakteristik t'i qëndrojë pranë nismave me karakter kinematografik me një vemendje të vecante drejt moshës rinore. Jane të ftuar kineastë të rinj nga këto vende të cilët do të ballafaqojnë eksperiencat e tyre me njëri tjetrin dhe do t'u përgjigjen pyetjeve të audicionit per temat e lartpermëndura. Do të jenë të ftuar gjithashtu studentet e shkollave publike dhe private te kinematografisë në Tiranë. |
|
|
The greeting of TIFF VIII 2010 |
|
IF GREAT FILMMAKERS REPEAT THEMSELVES, THEN SO DO GREAT FILM FESTIVALS
Days have become difficult to count, but still there are not many years.Although friends have been added more than years.
In 2003, I saw created enthusiasm and love that usually accompanies a birth, meanwhile, all doubted for his longevity.
Like any alive being who walked in all stages of its growth towards maturity, with characteristic wailing smiles, eager to learn and more likely to be the best, with the responsibility of chance that comes only once in life.
Been attacked by viruses of each type and incomes from all directions, has sophisticated the only successful antibody - mad passion to give breathing every creature that feels differently, but that would like to look alike.
Thousands of other beings are created in every corner of the world, feeds him with life every year and did not leave him to repent for the adventure started eight years ago. He almost realizes that the existence of these beings is the reason for its existence in this world and is his task to certify them out and in the same time make them popular.
This is TIFF, this will be his permanent mission, as far as nothing will fail to exhaust this creative energy that inspires us to sacrifice everything.
I am happy still consisting on in this competition artist's edition that does not banned believing in the TIFF line from his first day.
The last year winner case of TIFF, Javier Rebollo, who has participated in the first edition of TIFF-in. He is now shooting his first long movie; this is the most eloquent example of how a film festival can affect an artistic career.
One of the oldest festival participants in the world is Javier Angulo. He is an artistic director of Valladolid Festival, who has launched many film careers and that has combined so brilliant the authors and best fresh talents said: If the great directors repeat themselves, so do the major film festivals. And the biggest festivals are not measured if they have 2 or 20 years of activity, or if they have $20,000 or $ 2 million. (Here we are extremely large in our poverty.)
They are no logo fairs listed correctly in their Olympic hierarchy. In his early original TIFF had the complexity of a beginner activity, which tended to have a greater flow of quantity with a wider geographic range.
After seven years the International Festival could not be proud only for his quantitative statistics, but also with the interesting discoveries of novice filmmakers as well as the stable confirmations of the authors who continue to see at TIFF a forum of diverse ideas and a competitive test of their artistic experiments.
Globalization has created a unification of the main topics that disturbs today directors, but at the same time it has sophisticated the techniques of expression and surprising findings. Facing these sticky and simultaneously building an intelligent and hedonistic program, I think this is the most represented festival of this year.
Universal synchronization of the citizens of this world through communications technologies encourages us by making much easier the implementation of the idea announced last year about an indispensable triangle between Film - Festival - Televisions. This great distance that separates the film from the audiences, we as TIFF feel the obligation, with the permission of the authors, to reduce it by passing this year from a payable television into a public information television as NTV is.
In a film marathon for more than a month, NTV program will display all the films that have signed participation form in this new television competition where viewers this time non-professional juries will choose from among 200 short films 4 genus.
We believe that even the communication innovations will bring more audience to the cinema. This will remind the city that not only the streets of palaces does the metropolis, but perhaps it will sensitize business and institutions to share with us the efforts of building a better international image.
In years when TIFF was designed, we experienced unparalleled cultural isolation through exhausting barriers to stand by him as European citizens, so we decided to create a virtual opportunity to get out of the province's border and entered the mediocrity of Europe, bringing it through the festival in Tirana.
For 8 years TIFF offered this visa easily to the Albanians filmmakers and now that they have it in their biometric passports, the function of promoting Albania in general and cinema in particular continues to be our mission.
Hoping to be more original, innovative and very closed with you in this eighth edition, I wish good luck and success to TIFF 2010!
|
|
TIFF do mbahet ne dt. 13.XII deri ne 18.XII ne QKMBM (Qendra e Kultures, Medias dhe Botimeve te Mbrojtjes)
Rreth 60 filma te gjate nga 30 vende te botes aplikuan kete edicion ne TIFF.
Rreth 704 filma te shkurter nga 50 vende te botes aplikuan kete edicion ne TIFF.
Nder te cilet 369 jane fiction, 110 animacion, dhe 120 dokumentare, 80 eksperimental, dhe 25 shqiptare, nder te cilet 11 nga Kosova dhe 14 nga Shqiperia.
Jane perzgjedhur te bejne pjese ne edicionin e tete te Tirana International Film Festival ne kategorine e filmave te shkurter ne konkurim 9 filma eksperimental, 14 filma dokumentare, 9 filma animacion, dhe 41 filma fiction. Ndersa ne kategorine e filmave te gjate jane plotesisht 10 filma te gjate qe do te konkurojne kete vit ne kete kategori.
Jean-Philippe Laroche - fitues i Best Public TIFF 2003 me You Should Make Movies, film ne te cilin Claude Chabrol luan per here te fundit si aktor. Pjesemarres ne Homazh to Claude Chabrol. Producent i filmit te gjate ne konkurim Queen to Play te Caroline Bottaro, me Sandrine Bonnaire (dy Cesar ne France) Kevin Kline (Oscar winner) dheJennifer Beals.
Jean-Bernard Thomasson - inxhinier zeri ne 13 filma te Claude Chabrol. Prezanton filmin e tij dokumentar Claude Chabrol: the free child ne kuader te Homage per babain e Nouvelle Vague.
I ftuar special:
Juanma Bajo Ulloa - Regjisor Bask/Spain “AIRBAG” (1997) 120´ 35mm
- Premios “GOYA” (1997): - Festival Internacional de Cine Fantástico de Montreal: Premio del Público (Canadá 1998) - Nominada a los “FELIX”, Premios del Cine Europeo (Berlín 1998) “LA MADRE MUERTA” (1993) 107´ 35 mm.
‑ Mejor Director en The World Film Festival of Montreal (Canadá 1993).
‑ Festival Internacional de Cine de Estocolmo (Suecia 1993): Premio de la Crítica a la Mejor Película
‑ Festival Internacional de Cine de Puerto Rico (1993): Premio del Público; Premio de la Crítica Internacional a la Mejor Película
‑ Premio del Público: Mejor Película en el Cinema Mediterrane en Montpelier (Francia 1994).
50 Mostra Internacional de Venecia (Italia 1993)
Boris Mitić - regjisor/Serbi Prezanton filmin e tij "GOODBYE, HOW ARE YOU?" (2009, 60’) Tre filmat e tij ( PRETTY DYANA (2003) UNMIK TITANIK (2004) kane konkuruar ne 150+ festivale, fituar 18 cmime dhe jane shfaqur ne 25 international TV channels. Masterclass per Dokumentarin ne Akademine e Arteve: "WHAT THEY DON'T TEACH YOU IN FILM SCHOOL". Lektor ne shkolla filmi ne Europe, Kine, USA dhe Lindjen e Mesme. Prezanton projektin e tij te ri filmik 5-vjecar NOTHING.
Homazh:
Bekim Fehmiu
Mbledhesi i Puplave (I Even Met Happy Gypsies)1967 - Best Foreign Language Film Nominated - Academy of Motion Picture Arts and Sciences
Llazi Serbo
Operacioni Zjarri- Muharrem Fejzo do zhvillohet ne Arkivin e Filmit kuruar nga Elvira Diamanti
4- Juria Feature film
1- Fatos Berisha - Drejtor i PriFilmFest
2- Jean-Bernard Thomasson (shiko me lart)
3- Boris Mitic (shiko me lart)
Juria Short Film
1- Burbuqe Berisha - regjisore/fituese TIFF 2003
2- Shpend Bengu
3- Gentian Koci - regjisor/fitues TIFF 2009
Juria Seksioni Shqip
1- Eriona Kakeli - aktore
2- Burim Haliti - regjisor
3- Gledis Bica - First Step Film Fest
Juri Media
1. Flora Nikolla - gazetare ATSH
2. Namik Ajazi - Drejtor Informacioni NTV
3. Rajmonda Shima - revista Kult |
|
|
|
|
|
Page 1 of 2 |